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I first saw this film when I was about 12 years old. I was already fascinated by birds, then – the feathered kind, I mean – and that was the main draw for me. It had a powerful impact. I don’t think I’ve seen it more than once or twice since then. There is, as yet, no DVD for the Japan region, so the scratchy, grainy, Japanese sub-titled VHS video I have is a prized possession. Thanks to YouTube and Google, I found a recent interview with David Bradley, the young amateur actor who played Billy Casper in the movie. I was disappointed. Something had happened in the intervening 40 years. The young David Bradley had a power and energy that is quite absent in his adult incarnation.
“What I’m talking about is stagnation of self. Things appear pretty much the same every day. It doesn’t look like there is a way out. But what’s actually happening is this: the person has built up many layers of cotton between himself and what he really wants.
“Several years ago, I ran into an old friend I hadn’t seen in 30 years. The last time I knew him, he was a musician and a very good one. He’d taken up an instrument one day, when he was 13, and in a few months he’d made remarkable progress. He was very talented and very smart. Well, in the interim, from what I could gather, he’d been through three or four careers – none of them particularly rewarding. And now he was a blank. He’d gone down some “spiritual path,” and it was an energy drain.
There he was. Taking on one less desire after another.
“All present realities are shams, in the sense that what has yet to be discovered and created is far more galvanising than what already exists.
“If you’re going to pick a struggle, let it begin with finding something you REALLY desire.” (From “short-cut desire”, John Rappaport’s blog.)
40 years on…
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