Posts Tagged creativity

Charles Jencks’ Mind-Bending Landscape Architecture – My Modern Metropolis

Jencks’ latest project is in northern England and is called Northumberlandia (the “Goddess of the North”). Commissioned by a UK coal-mining company, Jencks is creating to a giant land goddess sculpture that’s 112 feet high and 1,300 feet long. Due for completion in 2013, it will be the world’s largest human form sculpted into the landscape.

via Charles Jencks’ Mind-Bending Landscape Architecture – My Modern Metropolis.

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“Technology and organization – the central themes of the modern era”

Stop Screwing Around and Get Organized

Stop Screwing Around and Get Organized By fitzage on Flickr

Consider:

  1. “I feel that the government needs to attach itself to a project that would be popular with the citizens of Japan. The notion of sacrificing, or the attempt to go above and beyond the call of duty, is a Japanese trait ingrained in the mindset of the older generation of the Japanese populous. The people of Japan are starting to lose hope in their government, and the government needs to reassure them that they are trying their best to rectify the disaster that has struck the Tohoku area. One can see that the “suicide corp”, as Hosono has idiotically dubbed, is somewhat controversial, and with the backing of several politicans, it can gain more momentum and allow for others to join their cause. That said, Japanese people love their legal, political red tape more than the average bear, and this is just another example of it.” [A comment left on this blog]
  2. “We have been conditioned to regard the nuclear issue as something so political and unrelated to our daily lives that it’s only for experts to deal with, not for us to even think about. But it took just one business enterprise to point out to us, in words that were completely devoid of sensationalism or hyperbole, that it is actually our own responsibility to get involved.” [Novelist Genichiro Takahashi, writing in the Asahi Shimbun, May 27th, 2011: POINT OF VIEW/ Genichiro Takahashi: Finding post-disaster hope in people who avoid ‘big words’]
  3. “What they’ve been taught is this: everything is created from above already; there is no more room; the individual invents nothing.” [from John Rappoport Music]
  4. “The central theme of the modern era is: technology and organization. It was not always seen to be that. But the men who are riding the biggest horses of organization in this world today… have come to realize that… domination can be achieved just through improving the functioning of their organizations. Their ant colonies… in the long run it doesn’t really matter what car or movie or CD or medicine or cosmology or God or law enforcement system is sold as the product of a given organization. Yes, it has to be interesting and functional up to a point, but whatever wild desire and surmise once motivated an inventor or a theologian or a president to start one of these organizations, and make a product, a service, a particular THING for the public, much of that is gone now, that passion is gone and it doesn’t matter. What matters, to an alarming degree, is making the public PERCEIVE that it likes the product. What matters is that the public… have somehow deadened their own perception of reality so that they can become passive enough to accept organization as the ruling force of the world, so that they can accept what organization gives them as consumers and demands of them as employees without blinking or rebelling. And individual creation, and small-group creation are the magnificent trumping answers to that. Undeadening perception and expanding the scope and power of the creative imagination… Let’s break out. As the writer William Burroughs used to say, Wouldn’t you?” [Jon Rappoport, Full Power, 91-2.]

Notice how item #1 and #2 are about perception: it’s important that the people of Japan perceive their government as popular, as backing popular projects , begging the question, if they’re popular, why is the government necessary? People need to perceive something as “legit”. In item #2, the questions going begging  are, “We have been conditioned” … by whom? Who is “we”? And are we pure victims, or (as the commenter noted in #1) has the Japanese people’s love for legal, political red tape made them willing participants in their own conditioning?

There is a certain irony in item #2: that he was under the spell of one organization was an insight prompted by anOTHER organization! Organizations are competing for customer loyalty, not just for their particular products but for allegiance to their particular brand of organization,; perhaps loyalty to the idea of organization as the legit, ruling force; in this case, that politicians and experts are best left to manage the important aspects of our lives.

The March 11 earthquake, tsunami and nuclear crisis seem to have banged a big hole in a lot of people’s loyalty, indeed to their very idea of “loyalty”, i.e. meekly accepting the decisions and directives of the politicians and the elites. This acquiescence was based on an assumption: that those in charge have our best interests at heart, that the authorities are fundamentally on our side. Is this assumption justified? It seems many people, prompted by the March disaster and its aftermath, are asking themselves this question.

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Monty Python turns tables on the YouTube pirates

Monty Python’s Smart Choice is a short blog entry by Jeffrey Tucker, and forms the latest in a series he’s been writing about copyright.  Gizmodo, where Tucker found the original news about the Monty Python YouTube channel, adds,

A controlled release of free material keeps people from resorting to piracy and keeps them in your controlled ecosphere, which can include, yes, ways for fans to give you money. But when you’re a bunch of pricks, people go to The Pirate Bay and think of you as the enemy, and then you don’t get any money. Take notes, you idiots.

Personally, tho, I don’t get it. While I’m glad to be able to indulge my nostalgia watching old Monty Python shows, how does putting one’s creative work online for free encourage creativity and entrepreneurship? Surely, this is entrepreneurship capitulating to an anti-business mentality? Certainly, it seems that the public’s sympathy is with the teenage downloaders rather than the “greedy” music labels. Chad Rushing’s “translation” in the comments to Tucker’s blog post seems to me correct.

Update: Melancholy Elephants, a story by Spider Robins has helped me understand what some of the issues might be: the argument in a nutshell is that artists do not actually create, they discover. And while the number of possible combinations for musical notation (to take musical art as an example) might seem to be infinite… it’s not. The West Side Story, a brilliant re-telling of Shakespeare’s Romeo and Juliet, was only possible because Shakespeare’s play was in the public domain, not covered by copyright. Without copyright, and without technology for recording the form of the art, the human collective memory gets washed clean of its memories of created art every few generations or so. With recording technology and copryight, the memory never gets erased: the number of new musical notation combinations that can be created (i.e. discovered) becomes ever smaller, until…

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